Tag: Trauma

Noah Kahan and Religion Part 2

Noah Kohan’s music explores themes of religious trauma, spiritual divide, and the impact of religion on friendship.

The Great Divide

Now with the two songs in our rearview, we shall now see the possible connections. First, Kahan mentions self harm and a car crash. He sings:

We got cigarette burns in the same side of our hands, we ain’t friends
We’re just morons, who broke skin in the same spot
But I’ve never seen you take a turn that wide
And I’m high enough to still care if I die1

Secondly, Kahan also mentions that the one friend, maybe the one who stayed in the hometown and who battled with suicidal alienation, failed to understand his friends life:

You know I think about you all the time
And my deep misunderstanding of your life
And how bad it must have been for you back then
And how hard it was to keep it all inside
2

Thirdly, the friend, who found absolution in religion, may have done so only through imperfect contrition due to the moral injury he received in the car accident. He may also have grown up experiencing religious trauma. Kahan sings,

I hope you settlе down, I hope you marry rich
I hope you’re scarеd of only ordinary s***
Like murderers and ghosts and cancer on your skin
And not your soul and what He might do with it
3

The interpretation can vary, as I myself wonder if this worry for his own soul comes from a deep moral injury or from religious trauma or both. Fourthly, we get some clues about how the friend feels towards religion. Echoing the hurt found in “Orange Juice,” Kahan sings,

I hope you threw a brick right into that stained glass
I hope you’re with someone who isn’t scared to ask
I hope that you’re not losing sleep about what’s next
Or about your soul and what He might do with it
4

Once again, the interpretation is unclear. The stained glass could refer to a church or it could refer to mentally seeing through a stained glass due to one’s mental health, and the friend wishing for the stained glass to be destroyed so that the friend can see clearly.5 I think the correct interpretation, due to the religious connections in the song itself and in “Call Your Mom” and “Orange Juice”, is that the stained glass is of a church. If this is so, then it seems that the friend who stayed in the hometown desires for his friend to abandon his religion. And it seems that the primary reason for the severance of the friendship isn’t the traumatic event itself but a great spiritual divide.

The Great Spiritual Divide

One’s faith often separates; in fact, sociology and psychological studies demonstrate that boundaries and separation is almost necessary for community and identity to exist.6 Paul understood this when he wrote to the Corinthians. He writes, “I wrote to you in my letter not to associate with sexually immoral people — not at all meaning the people of this world who are immoral, or the greedy and swindlers, or idolaters. In that case you would have to leave this world. But now I am writing to you that you must not associate with anyone who claims to be a brother or sister but is sexually immoral or greedy, an idolater or slanderer, a drunkard or swindler. Do not even eat with such people” (1 Cor. 5:9-11).

Paul speaks of not associating with people inside the church that do not follow Jesus’ commands. However, Paul does recognize that Christians must associate with all people – believer or not. Today we have a dichotomy between private faith and the rest of our lives. This dichotomy is a later approach to religious life and did not exist in the first century. Religious life was one’s life, it carried over into all aspects of one’s life. One’s religious life has a deeper impact on relationship then trauma or shared history does and this is exactly what Noah Kahan’s song portrays. The telos of a person’s religious life demands that he walks on a different road. This goes for all people, not just Christians. What we bow down to, what we give priority to, directs our path no matter who we are!

Because of this, a great divide does exist and is bound to show up in friendships that have different values. As C.S. Lewis remarked, “That is why those pathetic people who simply ‘want friends’ can never make any. The very condition of having Friends is that we should want something else besides Friends. Where the truthful answer to the question Do you see the same truth? would be ‘I see nothing and I don’t care about the truth; I only want a Friend,’ no friendship can arise- though Affection of course may. There would be nothing for the Friendship to be about; and Friendship must be about something, even if it were only an enthusiasm for dominoes or white mice. Those who have nothing can share nothing; those who are going nowhere can have no fellow travelers.”7

With this said, this should not stop one from saying hi and loving his friends, no matter their friends life choices, when roads cross. When roads cross, one can simply say “we’re just glad you could visit” or “I hope you settle down and marry rich.” But, as Noah Kahan’s friend points out, some times one can’t say hi because of the possibility of stumbling off the road. For the friend, alcohol is too much of a temptation and the friend ought to understand this and have sympathy. Paul recognizes this when he talks about eating meat sacrificed to idols (1 Cor. 8). For such moments, both the unbeliever and believer should use reason in love to go about their relationship.

Now, Noah Kahan also brings up Hell and the fear of it that his friend has; however, as they exist across a divide, they may misunderstand one another.

Religious Trauma and Misunderstandings

Throughout the three songs, we only hear from the perspective of the non-religious friend. Although the friend was fine with his friend “swearing his soul to Jesus,” it does seem that there exists anger for Jesus taking the number one spot. Is it possible that the friend singing builds a straw man for his friend’s faith as he thinks he is only religious because he is fearful for his soul? This could be a misunderstanding as there are often infinite misunderstandings across a great divide. Strawmanning one’s belief system, whether religious, non-religious, or anti-religious, is something we ought to never do. It could also be possible that the friend does only believe in Christ because he fears for his soul, resulting in imperfect contrition. This leads to the discussion taken up by many fans of Noah Kahan about religious trauma.

To this, I wish to provide an antidote to the problem of religious trauma within church culture. On Hell, C.S. Lewis said, “There is no doctrine which I would more willingly remove from Christianity than this, if it lay in my power.”8 God Himself would gladly get rid of Hell (Ez. 33:11). Secondly, the culture and the church have a massive misunderstanding on what Hell is and we ought to fix this through scriptural teaching rather than continuing in conceptions of Hell from Christian/Greek folklore such as Dante’s Inferno. Thirdly, Jesus speaks of the Kingdom of Heaven/God more than one hundred times while he speaks of Hell only 11-12 times. The church should reflect this! The church, like God, should desire for there to be no Hell and emphasize the Kingdom over Hell, but we also must not shy away from hard scriptural passages.

We must do this in a way that avoids real trauma. The church goer should not feel like God is an abusive father who will whip him with a belt anytime that he disobeys; rather, God is a father who calls his scared child out from the bed to hug him and to tell him that he loves him. What God calls His church to do is to model Christ and Christ did not come to condemn the world but to save it (Jn. 3:17). Jesus Himself makes an interesting note that it is people’s words that condemn, not Himself (Jn. 12:47-48). We ought to incorporate nuances in how we speak about hell such as incorporating other historical positions such as annihilationism and waiting to teach such doctrines to people of a suitable age. Lastly, we must get clear that it is not God that sends one to Hell.

Noah Kahan, while getting music right, gets theology wrong as he thinks God sends one’s soul to Hell, but this is not the case. C.S. Lewis seems to pull from John 12 when he writes, “Hell begins with a grumbling mood, always complaining, always blaming others… but you are still distinct from it. You may even criticize it in yourself and wish you could stop it. But there may come a day when you can no longer. Then there will be no you left to criticize the mood or even to enjoy it, but just the grumble itself, going on forever like a machine. It is not a question of God ‘sending us’ to hell. In each of us there is something growing, which will be hell unless it is nipped in the bud.”9

It is the grumbling that condemns us. It is the abuse of alcohol that creates Hell. If the abuse is not nipped in the bud, then that alcoholic misery shall remain for all eternity. When we teach on Hell, we ought to be clear that it is sin (missing the mark), that puts one a trajectory towards hell, and that it is God who calls us to repent (to turn) so that we can hit the mark! While some may still accuse the church of causing trauma for simply teaching about sin and eschatological realities and will refuse to engage in dialogue, the church ought to still conversate with all people willing to listen and understand. Ultimately, there will be divides, something that Noah Kahan knows well, but these divides do not need to sever hospitality, friendship, and love. If this happens, then we miss the mark and that is exactly what God calls us not to do!

  1. Noah Kahan, “The Great Divide,” (Mercury Records, 2026), audio. ↩︎
  2. Ibid. ↩︎
  3. Ibid. ↩︎
  4. Ibid. ↩︎
  5. https://genius.com/38485682 ↩︎
  6. Haslam SA, Fong P, Haslam C, Cruwys T. Connecting to Community: A Social Identity Approach to Neighborhood Mental Health. Pers Soc Psychol Rev. 2024 Aug. 28(3):251-275. doi: 10.1177/10888683231216136. Epub 2023 Dec 26. PMID: 38146705; PMCID: PMC11193917. ↩︎
  7. C. S. Lewis, The Four Loves, (New York: Harcourt, Brace, 1960). ↩︎
  8. C.S. Lewis, The Problem of Pain, (London: Centenary Press, 1940). ↩︎
  9. C.S. Lewis, The Great Divorce, (New York: HarperCollins, 2001). ↩︎

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Noah Kahan and Religion Part 1

Noah Kohan’s music explores themes of religious trauma, spiritual divide, and the impact of religion on friendship.

Noah Kahan, an artist with over seventeen million streams and who was nominated for a Grammy in 2024, is releasing a new album on April 24th of this year. To begin hyping up his album, he released the album title track “The Great Divide.” In it, he explores a relationship that was merely based off of shared trauma that has been severed and explores his own feelings of longing to know if the friend is well. He also explore religious themes such as Hell. There are multiple easter eggs in the music video for the song. Two very important callbacks are to the songs “Orange Juice” and “Call Your Mom.”

When we see young Noah in a car with his childhood friends, the visor of the car reads “Call Your Mom” and later we see a younger Noah hand his friend orange juice. While there are many more easter eggs, these two are pivotal as the three songs – “The Great Divide,” “Call Your Mom,” and “Orange Juice” – may be exploring the same themes and life story.

Call Your Mom

First, we’ll quickly go over “Call Your Mom.” This song is about desiring one’s friend to find purpose, to refrain from self-harm, and about being there for a friend through darkness. In the song, the lengths to which Kahan goes for his friend is seen when he sings:

Stayed on the line with you the entire night
‘Til you let it out and let it in

Don’t let this darkness fool you
All lights turned off can be turned on
I’ll drive, I’ll drive all night
I’ll call your mom
Oh, dear, don’t be discouraged
I’ve been exactly where you are
I’ll drive, I’ll drive all night
I’ll call your mom
I’ll call your mom1

The song then talks about nights in the hospital and the grief that suicidal alienation creates. The ache is loud and silent at the same time, is terrifying, and is something that many of Noah Kahan’s fans can sympathize and empathize with. The bridge of the song explores ways the friend can stay alive:

Medicate, meditate, swear your soul to Jesus
Throw a punch, fall in love, give yourself a reason
Don’t wanna drive another mile wonderin’ if you’re breathin’
So won’t you stay, won’t you stay, won’t you stay with me?
Medicate, meditate, save your soul for Jesus
Throw a punch, fall in love, give yourself a reason
Don’t wanna drive another mile without knowin’ you’re breathin’
So won’t you stay, won’t you stay, won’t you stay with me?
2

We are alive only when we have trajectorial lines to walk on; we need to “give ourselves a reason.” Having no purpose in life, or being an existential nihilist, increases the statical chances of suicidal thoughts, depression, and many more harmful associations.3 We need teleology within our lives and often this is brought by meditation, religion, and love. Noah Kahan does not care what option his friend chooses; he just wants his friend to keep breathing. In “Orange Juice”, it seems that the friend may have chosen religion.

Orange Juice

I do not know for sure if the friend in all three of these songs is the same friend, but there are many parallels. Noah Kahan, elaborating on the song, says,

I wrote Orange Juice about two friends reconciling after years of being apart. A tragic accident that they went through kind of separated them and one person found religion and the other person stayed in the town where the accident happened and kind of just moved forward… It’s really a song about how trauma can bind you and how it can also separate you and I always think that going through something traumatic should at least bring you closer to the person that experienced it with you. And I think the hardest part about that is sometimes it makes you go farther away and I wanted to write about two people coming back together after that time… I drew a lot of inspiration from my own life, my own struggle with addiction, and alcohol, and friendships that I’ve lost and haven’t been able to maintain. And I wanted to create a story about two people that represented a lot of challenges that I’ve gone through, that people in my life have gone through, and that’s what Orange Juice is about at its core.4

The song itself is amazing and is one of my favorites. In the song, there is the notion that religion has caused the main separation between the two. Kahan sings,

See the graves as you pass through
From our crash back in ’02
Not one nick on your finger
You just asked mе to hold you
But it made you a stranger
And filled you with angеr
Now I’m third in the line up
To your Lord and your Savior.
5

Kahan here possibly refers to the fatalities that we learned about from “Call Your Mom” and Kahan later says that the friend did not put “those bones in the ground.” It seems that the drunk driving incident has caused his friend to find absolution in religion and because of that, he has abandoned his friends as they are like “crows that pull him down.” This will be of major importance in “The Great Divide.” This great divide is something one friend seems to want while the other does not. Kahan ends the song singing:

Honey, come over
The party’s gone slower
And no one will tempt you
We know you got sober
There’s orange juice in the kitchen
Bought for the children
It’s yours if you want it
We’re just glad you could visit
6

Sadly, it seems that religion is the main cause of the chasm between the two. One friend has changed too much to come back to his life – both to his hometown and his friends. The other has not changed and this creates the challenge that many of us may experience in our own lives. To what degree should one’s faith dictate how one goes about past friendships? Can a devoted sober-minded Christian socialize with friends that drink? How can a Christian live in love, but yet cast aside his old friends? Should the other friends accommodate their friend’s desire to remain sober? Is it wrong for religion to divide? And, a question that I think “The Great Divide” proposes, is religion the correct answer to moral injury?

These questions will be explored more in Part 2 as we dive into the Great Divide.

  1. Noah Kahan, “Call Your Mom,” track 10 on Stick Season (We’ll All Be Here Forever), (Mercury Records/Republic Records, 2023), audio. ↩︎
  2. Ibid. ↩︎
  3. Kyron, M. J., Page, A. C., Chen, W., Delgadillo, J., & Ngo, H. (2025). Beyond meaning in life: How a perceived futility in searching for meaning in life predicts suicidal ideation, Death Studies, 1–11. https://doi.org/10.1080/07481187.2025.2529281 ↩︎
  4. https://www.instagram.com/reel/CqgIdTiJDDS/?hl=en ↩︎
  5. Noah Kahan, “Orange Juice,” track 10 on Stick Season (Republic Records, 2022), audio. ↩︎
  6. Ibid. ↩︎

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